- this brush working on photoshop CS 5 ++
- setting the size on the brush for find your feeling.
- happy drawing guys !
- You can first make lineart and apply the brushes
- You can directly make designs using brush tool
- Select the brush panel from windows in AI and add these brush or simply open it directly
- Indesign template (50 pages), document size: A4.
- Indesign template (50 pages), document size: US Letter.
- A folder with the images (CCZ license).
- A folder with the fonts.
- The .idml files, for earlier Indesign version.
- Fully editable colors through palette panel.
- Well ordered layers.
- Automatic page numbering.
- All shapes are vector based.
- Contains paragraph styles.
- Contains document bleeds.
- Contains a table of content.
- Aligned to column grid.
Drawing Vector Graphics: Color and Detail
https://www.linkedin.com/learning/drawing-vector-graphics-color-and-detail-14041755
A sketch is a great starting place, but lighting, color, and detail are what take your illustrations to the next level. In this course, Von Glitschka shows you how to use lighting effects, colors, and a great variety of detailing methods to your designs with Adobe Illustrator. Along the way, Von reveals his insights on the creative process and shares creative works that demonstrate the techniques he’s teaching.
Introduction to Video Color Correction
https://www.linkedin.com/learning/introduction-to-video-color-correction-14043579
Do you want to make your video footage look more vibrant, more accurate, or better fit the mood and themes of your project? Color correction helps you accomplish all these goals and more. In this introductory course, instructor Ashley Kennedy explains the concepts behind color correction and color grading, and she guides editors through the process of correcting contrast, color balance, and hue/saturation. Ashley uses real-world examples to stress the aesthetics, basic measurement requirements, and overall techniques of the color correction process. After a thorough introduction of how to correct individual shots, she discusses the importance of shot-to-shot correction, as well as troubleshooting common lighting and color problems to create overall “looks” for a film.